
Unnamed Road (OSM)
Instead of letting postprocessing-manipulation do the work, I trusted my eyes when waiting in a Harare hardware store – looking through car windows presented me with a unreal scenery that lasted long enough to lift the camera, un-cap the lens (which I wanted to protect against the omnipresent dust) and frame this image.
Today I am departing again for Harare, Zimbabwe. 20h of travel later I will be in (for me, coming from the European summer) unusually cold weather, as Harare is south of the Equator in winter season, and at 1400m above sea level it will be displeasingly chilly in our unheated house.
This time I will extend my business trip and attach 2 weeks of holidays, basically a road trip round Zimbabwe, together with my wife. If internet is available, I will keep on posting, but it might get flaky.
See also streetghosts.net.
A gallery in Berlin has appropriated the name ‘Camera Work’, and even their typography is more than similar to Stieglitz’s seminal publication. The exhibition of former GDR photographer Thomas Billhardt was more than worth visiting.
A gallery in Berlin has appropriated the name ‘Camera Work’, and even their typography is more than similar to Stieglitz’s seminal publication. The exhibition of former GDR photographer Thomas Billhardt was more than worth visiting.
A gallery in Berlin has appropriated the name ‘Camera Work’, and even their typography is more than similar to Stieglitz’s seminal publication. The exhibition of former GDR photographer Thomas Billhardt was more than worth visiting.
A gallery in Berlin has appropriated the name ‘Camera Work’, and even their typography is more than similar to Stieglitz’s seminal publication. The exhibition of former GDR photographer Thomas Billhardt was more than worth visiting.
A gallery in Berlin has appropriated the name ‘Camera Work’, and even their typography is more than similar to Stieglitz’s seminal publication. The exhibition of former GDR photographer Thomas Billhardt was more than worth visiting.
A gallery in Berlin has appropriated the name ‘Camera Work’, and even their typography is more than similar to Stieglitz’s seminal publication. The exhibition of former GDR photographer Thomas Billhardt was more than worth visiting. A gallery in Berlin has appropriated the name ‘Camera Work’, and even their typography is more than similar to Stieglitz’s…
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