What an impressive gallery. The red tone gives the monochromes a warm touch that works well with the subject: wood. Really really wonderful. All of them. Let me pick my favorite .. hm … I guess would be no. 4 … but I like all of them or: the gallery as a whole.
Thanks, Martina – your praise is highly valued. I fell in love with these shapes as soon as I could peek into the workshop. But at least as rewarding as being allowed to photograph there was the completely natural and friendly attitude of Mr. Pastor – unexpected for me, as those zillions of tourists in Venice with all their curiousity (including mine) would make even a very reserved attitude quite understandable.
What an impressive gallery. The red tone gives the monochromes a warm touch that works well with the subject: wood.
Really really wonderful. All of them. Let me pick my favorite .. hm … I guess would be no. 4 … but I like all of them or: the gallery as a whole.
Thanks, Martina – your praise is highly valued. I fell in love with these shapes as soon as I could peek into the workshop. But at least as rewarding as being allowed to photograph there was the completely natural and friendly attitude of Mr. Pastor – unexpected for me, as those zillions of tourists in Venice with all their curiousity (including mine) would make even a very reserved attitude quite understandable.
I know this may sound totally kitschy and touchy-feely, but nevertheless: the artist recognises the artist.