I get what you mean, Tyler. I was interested in that bright line on the windowsill and at the right side of the window, corresponding with the shadows on the wall. A shadow area on the right would have been a good thing to keep the view within the frame.
The difficulty with the oblique perspective is that the viewer’s vision slides off the image and out of the frame.
I get what you mean, Tyler. I was interested in that bright line on the windowsill and at the right side of the window, corresponding with the shadows on the wall.
A shadow area on the right would have been a good thing to keep the view within the frame.