The common green tones in many of my images of the dried Saalachsee basin tempted me to try some formal experiments in the sequences, like here the increasing aspect ratios to introduce a bit of a tension between the images, trying to seduce the viewer to give another thought to the question why the images were arranged in that specific order. If all images would be uniformly in square aspect ration, they would be seen as a mere collection, exchangable, and therefore less interesting, not so much stimulating second thoughts.