For sure it was not my intention to tilt the camera that much, but looking at the image I learned to enjoy it, especially as the fervent red box balances it so nicely. That it became a subconscious hommage to Winogrand is not unlikely, as I had recently seen an original print of his famous image ‘World’s Fair, New York, 1964’ in the Pinakothek der Moderne in Munich as part of the exhibition ‘True Stories’, featuring many American photographers of the last decades.