I can feel the damp atmosphere here in the rich black of the tree and the moss on the stone wall. This would work without the car, but it’s even better with it.
Probably a year ago I would have tried to exclude the car if ever possible, succeeding in a different image, but since then I have learned to (try to) step back and to no let feelings gain too much weight over the seen.
Without the car it could be a painting, with it you have to look at both a few times.
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Freud In The City